1856-1910 French Henri Edmond Cross Locations French painter and printmaker. The only surviving child of Alcide Delacroix, a French adventurer and failed businessman, and the British-born Fanny Woollett, he was encouraged as a youth to develop his artistic talent by his father cousin, Dr Auguste Soins. He enrolled in 1878 at the Ecoles Academiques de Dessin et d Architecture in Lille, where he remained for three years under the guidance of Alphonse Colas (1818-87). He then moved to Paris and studied with Emile Dupont-Zipcy (1822-65), also from Douai, whom he listed as his teacher when exhibiting at Salons of the early 1880s. His few extant works from this period are Realist portraits and still-lifes, painted with a heavy touch and sombre palette (example in Douai, Mus. Mun.).  Related Paintings of Henri Edmond Cross :. | Le Four des Maures | The Iles d'Or | hamnen i toulon | Afternoot at Pardigon | Hector France |
Related Artists:
Paolo Ucello
1395-1475 Italian Paolo Ucello Gallery
Alexandre Seon
French Symbolist Painter, 1855-1917 was a French Symbolist artist, illustrator and decorator. Seon studied at the Beaux-Arts of Lyon and Paris, becoming a student of Puvis de Chavannes in 1891, with whom he later collaborated. He was closely associated with Josephin Peladan and his Salon de la Rose-Croix, and designed the frontispiece for Peladan's 1891 novel l'Androgyne
Huntington Daniel
American Hudson River School Painter. b.1816 d.1906 was born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and First U.S. Representative from Connecticut. In 1835 he studied with SFB Morse, and produced "A Bar-Room Politician" and "A Toper Asleep." Subsequently he painted some landscapes on the Hudson river, and in 1839 went to Rome. On his return to America he painted portraits and began the illustration of The Pilgrim's Progress, but his eyesight failed, and in 1844 he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he has painted many genre, religious and historical subjects. He was president of the National Academy from 1862 to 1870, and again in 1877-1890.